Brass Mash Member Deep Dive: Colin Dean

“Here is the man…here is the man…” Tim, holding the mic, pauses briefly, then continues with some wild rap about our bandleader, Colin Dean. This is how I think of Colin’s introduction at the end of our shows - it is absurd, and so is this whole thing. If you are reading this blog, you have probably experienced a Brass Mash performance, and we all have Colin to thank for that.

Here is the man…who does so much that we see and even more that we don’t see. Part of this blog’s purpose is to show some of the inner workings of Brass Mash, including stories of how we got to this point. In this post, I hope you enjoy learning a little about our fearless leader, starting up a band, and early Brass Mash experiences.

The man behind the curtain

Current favorite Mashup:

My favorite mashup is always the new mashups! If we’ve been playing the song for six months, I’m bored already. My new favorite mashup is “Fireflies of Summer.” I did a bold thing at the last gig - I put it in the prime location of the whole show, which is the third or fourth song of the third set. It was like, “Either the song is going to absolutely slay and everyone will sing along; or everyone will hate the song, Brass Mash will be ruined, and we’ll never play music again.”

I wanted it there because I wanted a guaranteed singalong. I wanted to see if everyone was going to sing along to this moment, and sure enough, they did. It was a setlist miracle!

What gave you the idea to start a mashup band?

I totally stole it. About ten years ago, I started hearing about mashup bands in New York. A bunch of years ago, I joined the group called East Bay Brass Band, which is run out of Oakland. They happened to be an all-brass band that also does mashups! I started writing for them because I like the format - there are all these angles to doing mashups, it’s pretty fun. Playing one song at a time is actually pretty boring.

It was time for me and my wife to leave our jobs - we were working at this high school. I was working with East Bay Brass Band and having a great time, and we were going to move down to San Luis Obispo. So I started doing my research - I wondered if there was another brass band around here, and there was not. I liked the mashups, and I thought, maybe I should just continue this brass band mashup idea, and just bring that idea over to SLO. I used to live down here and play with bands. I knew it was just going to murder and people would love it. I just needed to find people to play with.

So yeah, the idea was totally stolen.

What was the first Brass Mash rehearsal like?

It was me, Brett, and a very early drummer, Aaron. It was essentially me trying to do Bangamahab with everyone. Brett was on tuba, and I was on trombone. A lot of these really early songs, instead of having saxophones and trumpets and trombones, I would just play everything. So I would have to get everyone learning their parts, and I would have to play all of the melody lines until everyone else learned them.

I’m so appreciative that we have more than 3 players now so I don’t have to play the entire time. It was exhausting, and it just ended in frustration because it was obvious we didn’t have enough people. We were doing rehearsals to start this thing, but we didn’t have all the parts. It was like going camping without a sleeping bag - it didn’t make sense. But we were there and we kept doing it.

I knew, if I could get just a couple of players, and we could get everyone at the Frog and Peach, that we would be fine. The problem was talking to people - I would just sound like a mad man. I specifically have a really good friend who, when I was talking about Brass Mash, was like “I don’t know if this is going to work.” Like, it was so out of left field and it was ambitious. I was the only one who understood it because I was the only one who knew about East Bay Brass Band.

It’s just crazy enough that people don’t quite know if it’s going to work. It was really Brett and Sean, early on, who were willing to stick with it. There’s been hesitation with them over the years, too.

What have you learned about running a band?

I actually wasn’t sure if I could do it. Coming from these other groups - I realized I’d have to bring lead singer energy and I’d never been in that role. I wasn’t really sure if anyone would care. Boy, I’ve come a long way in nine years. Now, when people talk about when I’m charismatic on stage, I’m just doing my thing - I don’t think about it that much.

Believing in yourself - Maybe it’s because the things that I sounded so crazy about were right. It seems to be the right choice so far. I make all sorts of bad decisions, and I’ve come to accept those. That’s probably the most I’ve learned about being a band leader - believing in my ideas, and letting the proof be the right show. Sometimes that takes awhile.

Describe one core Brass Mash experience.

It was 2017 and they had given us this Thursday night at SLO Brew, which was downtown on Higuera. It was a weird room, we were still figuring things out. We had a ton of players - I think we had 12 players on stage. Half the people knew the parts, half the people were just winging it and playing the high notes.

Things just all of a sudden made sense. People were cheering for the solos, dancing along, shouting out. It was wild. It was something we’re used to now. Now we know how to prompt it, but then I didn’t know how to prompt those things and it felt awful.

We played “Bad Living,” and I realized that we’d switched to the song “Bad Romance,” but everyone was singing “Living on a Prayer.” I didn’t know how to feel about it at that moment. It took me until right after that gig when I realized…”Oh. The audience sings the mashup.”

That’s what the gag is. The band takes a hard left turn and plays “Bad Romance,” and the audience sings “Living on a Prayer.” This is the magic sauce. Actually, the band doesn’t have to do the mashup. The mashup can happen inside of the audience, and the audience is this element that we can mess with. That’s my core memory - playing that, being slightly disappointed, but then having this realization.

Brass Mash Member Deep Dive: Brian Lanzone

Sit down, kids. Colin is going to tell us a story. It might be a long story at the end of the show, about how he tried to order a pizza one time. What happened to the pizza is for you to find out directly from him, but through some dad-energy kind of wordplay, we eventually get to hear from Brian Lanzone, our bassist for Brass Mash. Brian’s contributions, in my opinion nobody asked for, have elevated our sound to something even more exciting and unique. Please enjoy our chat and listen for his funky tones at the next Brass Mash show!

Brian laying it on thick for us

Year joined Brass Mash: The first time I played with them was 2018…Beginning of 2022 was when I started playing more gigs.

Current favorite mashup: Probably “Get on Levitating.” The bass line is super simple, and I really like trying to sound like the opening vocals of the Bruno Mars song in the middle (“Uptown Funk”) - Me and Sam play that part together. I get to use the fun octave pedals. So that’s probably my favorite right now.

How did you come to join Brass Mash?

I basically subbed for Brett (Malta, tuba) just a couple of times. Then throughout covid, when the band was starting back up, Brett was busy taking a lot of work at the PAC and subbing just kind of turned into doing the majority of the gigs.

Tell us about your first Brass Mash gig.

I didn’t really have a first one as a full-time member, it just kind of morphed into that at the time. My first gig subbing was memorable. It was at the old Bang the Drum location. It was really fun! I was a huge fan of the band before I subbed my first time. I knew most of the guys and girls in the band already. Just getting to play the songs that I already liked was a big moment - especially “Boy Band Brass Mash’d” - the crowd went crazy for that one! It was really fun.

Forrest (Williams) was with us at that gig, too, who subs with us on drums. He was in the audience. I remember that about my first Brass Mash gig, that Forest was in there. I’d known him and respected him and played music with him forever, and he was complimenting me. It was cool!

Share one core Brass Mash experience.

“Don’t touch the marble…” I got busted wandering off at Hearst Castle and got escorted back by the sheriff!

I was a huge fan of Brass Mash, and it’s really exciting to be a part of it now. I was jealous watching them, thinking “I want to do that!” I am self-conscious being a string player in a brass band - I’m like an imposter. Sean and I had been playing together for over 20 years, so a nice part of joining the band is riding in with him in the rhythm section.

Writing a New Mashup: Dance the Night of December 1963 Next to Me Queen

Here in Brass Mash, we write our own mashup arrangements. Every song we play is a mashup of at least two (but usually 3 or more) songs. Colin and Anthony write most of the arrangements - contrary to what is said at some shows, I (Stephanie) have only written four mashups.

It has been a few months since we’ve introduced new charts, so when Anthony shared his latest creation with us I thought it would be a fun opportunity to share how one of us approaches the arranging process.

If you have heard us play, you know that our mashups are all unique. As such, the arranging process is different every time. There is no secret formula we always follow. Which we love! It keeps the experience fresh for everyone. Today, let’s hear from Anthony about his new arrangement, “Dance the Night of December 1963 Next to Me Queen.”

Brass Mash arranger Anthony Yi in his happy place

Tell us about your new arrangement. What songs are in it, and why did you choose them?

The new arrangement took about 3 days to come together. There was an audience member I’d talked to a couple of months back (or maybe more…) asking for “Dancing Queen.” I saw her again at the last Liquid Gravity gig [Feb. 2024]. After we played an ABBA song I saw her and she was like, “Dancing Queen? Is that gonna happen?” I was like, “Oh yeah! I’ve gotta get on that.”

I originally had that in another project. I have so many projects, so many mashes in progress, and it takes awhile to complete them. “Dancing Queen” was in another mash, and then I decided to take it out. One of the songs in that mash was already being used by Colin, I hadn’t really finished it yet and I wasn’t sure how to get out of it and wrap it up, so I thought I should just find a new mash.

Then while I was driving, I asked my Google Assistant to play my mash playlist on Spotify. I have multiple playlists about mashes - I have to label them something different, but I guess I labeled two of them with the same name, “Mash.” It didn’t play the one that I wanted, with all my current songs, but it went to an older one that only had one song - “December 1963” by Frankie Valli.

That was one of my favorite songs growing up, so I thought I would just listen to it for fun. Then, the Spotify algorithm played “Dancing Queen” right after, and I was like, “Oooh! Hey…does that work? I think it does.” Late that night when I got home, I started to try and put the two together. I’d already had “Dancing Queen” from the first mash, I just had to start putting down the Frankie Valli tune.

From there, I thought “What else would be a fun song?” And, because both the Frankie Valli and Dancing Queen are very old songs, what would be a current song I could tie it to? I was thinking of the “dancing” theme, and I came up with “Dance the Night” from the new Barbie movie, by Dua Lipa. Going from the major to minor was pretty seamless.

Then I thought, “How can I end it?” The next day, I was scrolling through TikTok and one of the songs on my feed was the K-pop song “Standing Next to You” by Jung Kook. I was like, “Oh yeah, this riff is always so sick, I always like it…wait…it feels like it’s the same tempo as Dance the Night and all the others!” I checked, and found that it is - it could work!

So the four tunes came together and it wrapped up super nicely. It’s always funny that a project that only started two days before was able to be completed, versus all the others in my backlog that I’ve been working on for over a year, still unfinished. When you have inspiration, you get the motivation to do it and it gets done pretty quickly!

It’s a fun one! I always try to listen to my mashups in my car, on the way to work, with the MIDI sound effects from the Sibelius software. It always makes me smile, hearing the mash and the way that Dancing Queen works. In the beginning, it’s just a feel-good dancing song. People will lean into it and start dancing, I think. Then to take it into the modern realm of music. Maybe people will be doing that TikTok dance when we start playing it! That would be cool.

Listen for “Dance the Night of December 1963 Next to Me Queen” in our setlist, starting in April 2024!